In the long river of history in our country, there was a long history of the “Wenfangâ€, and pens, ink, paper, and gongs were hailed as “four treasures in the study roomâ€. In fact, the tools used in the arts of calligraphy and painting are only four kinds of treasures. They have been loved and treasured by the literati. These four treasures are the most basic tools. The Ming and Qing dynasties have developed a large number of articles required for the writing room. These stationery aids are also carefully designed, purchased, and furnished. To make it a decoration and furnishings arts and crafts on the book in the study. There have been many good things in this period. There are a wide range of articles and well-made books, including pen holders, pen holders, pen holders, pencil holders, arm holders, water bottles, town scales, ink beds, printing boxes, ink pad, and seals.
Pen holder: In addition to use, there are many fine works that have become the world's favorite arts and crafts collection.
Penholders are made of a variety of materials, including ceramics, wood, bamboo, and appliances made of jade, ordinary stone, tree roots, and enamel pens. Most of the cylinders are decorated with paintings and calligraphy. They are one of the necessary instruments in the writing room and are widely used as furnishings in the study books.
Such as purple pine sandalwood inlaid plum blossom pen holder, the mid-Qing Dynasty works, the whole body is made of red sandalwood, surrounded by dyed cylinders, agate, jade, turquoise to glorify the five-colored Madian, performance of flowers and birds, meaning longevity, animals and plants All of them are natural in appearance, elegant in composition, vivid in color, and brown in rosewood. They are outstanding pieces of rosewood carvings in the mid-Qing period.
Pen Holder: An instrument for mounting a writing brush. The texture is mostly made of jade, ceramics, and enamel. It has round, square, rectangular, peak-shaped, and dragon-shaped shapes. One of the most commonly used appliances in the room.
Such as white jade carved pine and cypress figure holder, works in the mid-Qing period, the whole body of white jade. For the sake of Xinjiang and Daiyu. Engraving, arched. The bridge has a horizontally engraved wood grain, and its vertical, undercut wood grain resembles two layers of wood. Under the bridge for two rows of stake support, next to the boat, take two people, the bridge side is thick pine trees, flowers and trees, the bridge riders have to ride a donkey, bear the burden, who are; a person sitting alone to take a break and enjoy the scenery. Sophisticated design, fine carving. Shows the life of the southern water town. The tree space can be framed by pens. In the collection of the National Palace Museum in Beijing, this bridge-shaped pen holder alone is precious.
Pen wash: A device for brushing a brush. Ancient use of shells, jade production; Song Dynasty has been elegant porcelain wash came out; Ming Dynasty also made of copper for the small wash brush, the ancient generations of jade, pottery and other production, more colorful. Many types of flat round, blue and white porcelain as many, decorated with various patterns, very simple, elegant and dignified.
Such as imitation official glaze peach-style wash, Qing Emperor Yongzheng Qianlong two imitation of the Song Dynasty official glaze was extremely successful, enamel diversified, Ying Run thick and thick. This piece was made into a peach shape. The outer wall was affixed with leaves and peaches. There was a large opening in the wash. There were three sesame size nails in the center of the outsole, and there were 14 nails around the ring. Whole body powder blue glaze, glazed moisture, unique style, fine craftsmanship, is a beautiful porcelain wash. Although there is no knowledge, it is obvious that it has the characteristics of an official government cellar.
For example, the kiln-like enamel wash, the Qing Emperor Qianlong, the Qing Dynasty Yongzheng, Qianlong, Jingdezhen imitation of the Song dynasty kiln, official, song, dedication, and other famous kiln works are very successful. Brother's kiln Zhu, pink, gray celadon, etc., are all imitation. The styling is mostly Kwai Kou bowls, gong bottles and pen holders, pen holders, pencil holders and other stationery. This washed leaf-shaped, glazed blue, enamel shiny, whole body glazed rough and deep, thin and shallow two lines intertwined cutting, commonly known as "gold wire." The outsole has 6 nails of sesame size, and the center of the outsole material is written in a double line 6-character style. This device is elegant, glazed pattern rich sense of rhythm.
The arms rest, that is, the pillow arms made by bamboo and ** material. Carved with rich patterns, it becomes a stationery with practical value, and it is also an artwork with appreciation value.
Such as **carved bamboo wall type shelf, the middle of the Qing Dynasty, sketch sketches as the title, imitating the natural micro-bend the root of bamboo form carved, the arm rests the front of the lower part of the miniature, the root section narrow dense, roots and roots stretched Forming the whole nature, the root retains two sections of bamboo poles, one side branch, the right leaves branching, extending upward along the main pole, and the leaves are either straight or folded or worm-eaten, all of which are just right. Behind the wall, two hollow bamboo bodies are placed on the back. With the method of carving, there are one each of a sunny beak and one of the beasts.
This ** engraved bamboo-styled arm rest is affected by the deeper influence of bamboo carvings, with the positive relief, buds sticking up and standing. Among the engraved insects on the back, the upturned appendix, the finely hairy Tiannius, the butterfly wings of Zhang Li and the dots on the insects, and the round fins, such as the veined wings of the veins, all meticulously portrayed. The realistic form is a masterpiece in the Qing dynasty carving crafts.
Otter: A small pot of water storage. No mouth, mostly flat round, simple and elegant production, an important tool for the room.
For example, the infant plays in water, and in the middle of the Qing Dynasty, it is composed of five youngsters, surrounded by green and white jade. The shape of the five infants is different. One of the infants and toddlers plays in the play. Four infants are surrounded by or around the canopy. Fly-by-bird or playful games, lively and innocent expressions, such subject matter vessels were more common in the Ming and Qing Dynasties, was one of the auspicious patterns that prevailed at the time.
A set of red lacquerware roomware: In the middle of the Qing dynasty, red lacquer was carved in full. On the small table-type table, a set of writing utensils was placed in an orderly manner: two red lacquer-painted purple-violet pens, and the left side was "Pelvin. "The rhyme of the poetry" book and red lacquer lacquer hook contiguous square box. Inside the box there is a piece of black "Sanshitang" ink and Zhuhai seawater cloud pattern ink. In the middle part, there are two lions' carved lacquer squares, with white jade seals and silk enamel ink boxes. Several right-handed figures are red lacquer-shaped cylindrical boxes with four enamel enamel pens and paperweights, and the red lacquer enamel box at the bottom right, and the stone lining of the Songhua River. The bottom of each piece of carved lacquer box is connected with the lacquer lacquer. The design is novel, the carving is fine, the exquisite workmanship is small, and it is convenient for carrying. When the emperor travels, it has both practical value and high art appreciation value.
The above-mentioned articles are all works of art collected by Chinese scholars.
Pen holder: In addition to use, there are many fine works that have become the world's favorite arts and crafts collection.
Penholders are made of a variety of materials, including ceramics, wood, bamboo, and appliances made of jade, ordinary stone, tree roots, and enamel pens. Most of the cylinders are decorated with paintings and calligraphy. They are one of the necessary instruments in the writing room and are widely used as furnishings in the study books.
Such as purple pine sandalwood inlaid plum blossom pen holder, the mid-Qing Dynasty works, the whole body is made of red sandalwood, surrounded by dyed cylinders, agate, jade, turquoise to glorify the five-colored Madian, performance of flowers and birds, meaning longevity, animals and plants All of them are natural in appearance, elegant in composition, vivid in color, and brown in rosewood. They are outstanding pieces of rosewood carvings in the mid-Qing period.
Pen Holder: An instrument for mounting a writing brush. The texture is mostly made of jade, ceramics, and enamel. It has round, square, rectangular, peak-shaped, and dragon-shaped shapes. One of the most commonly used appliances in the room.
Such as white jade carved pine and cypress figure holder, works in the mid-Qing period, the whole body of white jade. For the sake of Xinjiang and Daiyu. Engraving, arched. The bridge has a horizontally engraved wood grain, and its vertical, undercut wood grain resembles two layers of wood. Under the bridge for two rows of stake support, next to the boat, take two people, the bridge side is thick pine trees, flowers and trees, the bridge riders have to ride a donkey, bear the burden, who are; a person sitting alone to take a break and enjoy the scenery. Sophisticated design, fine carving. Shows the life of the southern water town. The tree space can be framed by pens. In the collection of the National Palace Museum in Beijing, this bridge-shaped pen holder alone is precious.
Pen wash: A device for brushing a brush. Ancient use of shells, jade production; Song Dynasty has been elegant porcelain wash came out; Ming Dynasty also made of copper for the small wash brush, the ancient generations of jade, pottery and other production, more colorful. Many types of flat round, blue and white porcelain as many, decorated with various patterns, very simple, elegant and dignified.
Such as imitation official glaze peach-style wash, Qing Emperor Yongzheng Qianlong two imitation of the Song Dynasty official glaze was extremely successful, enamel diversified, Ying Run thick and thick. This piece was made into a peach shape. The outer wall was affixed with leaves and peaches. There was a large opening in the wash. There were three sesame size nails in the center of the outsole, and there were 14 nails around the ring. Whole body powder blue glaze, glazed moisture, unique style, fine craftsmanship, is a beautiful porcelain wash. Although there is no knowledge, it is obvious that it has the characteristics of an official government cellar.
For example, the kiln-like enamel wash, the Qing Emperor Qianlong, the Qing Dynasty Yongzheng, Qianlong, Jingdezhen imitation of the Song dynasty kiln, official, song, dedication, and other famous kiln works are very successful. Brother's kiln Zhu, pink, gray celadon, etc., are all imitation. The styling is mostly Kwai Kou bowls, gong bottles and pen holders, pen holders, pencil holders and other stationery. This washed leaf-shaped, glazed blue, enamel shiny, whole body glazed rough and deep, thin and shallow two lines intertwined cutting, commonly known as "gold wire." The outsole has 6 nails of sesame size, and the center of the outsole material is written in a double line 6-character style. This device is elegant, glazed pattern rich sense of rhythm.
The arms rest, that is, the pillow arms made by bamboo and ** material. Carved with rich patterns, it becomes a stationery with practical value, and it is also an artwork with appreciation value.
Such as **carved bamboo wall type shelf, the middle of the Qing Dynasty, sketch sketches as the title, imitating the natural micro-bend the root of bamboo form carved, the arm rests the front of the lower part of the miniature, the root section narrow dense, roots and roots stretched Forming the whole nature, the root retains two sections of bamboo poles, one side branch, the right leaves branching, extending upward along the main pole, and the leaves are either straight or folded or worm-eaten, all of which are just right. Behind the wall, two hollow bamboo bodies are placed on the back. With the method of carving, there are one each of a sunny beak and one of the beasts.
This ** engraved bamboo-styled arm rest is affected by the deeper influence of bamboo carvings, with the positive relief, buds sticking up and standing. Among the engraved insects on the back, the upturned appendix, the finely hairy Tiannius, the butterfly wings of Zhang Li and the dots on the insects, and the round fins, such as the veined wings of the veins, all meticulously portrayed. The realistic form is a masterpiece in the Qing dynasty carving crafts.
Otter: A small pot of water storage. No mouth, mostly flat round, simple and elegant production, an important tool for the room.
For example, the infant plays in water, and in the middle of the Qing Dynasty, it is composed of five youngsters, surrounded by green and white jade. The shape of the five infants is different. One of the infants and toddlers plays in the play. Four infants are surrounded by or around the canopy. Fly-by-bird or playful games, lively and innocent expressions, such subject matter vessels were more common in the Ming and Qing Dynasties, was one of the auspicious patterns that prevailed at the time.
A set of red lacquerware roomware: In the middle of the Qing dynasty, red lacquer was carved in full. On the small table-type table, a set of writing utensils was placed in an orderly manner: two red lacquer-painted purple-violet pens, and the left side was "Pelvin. "The rhyme of the poetry" book and red lacquer lacquer hook contiguous square box. Inside the box there is a piece of black "Sanshitang" ink and Zhuhai seawater cloud pattern ink. In the middle part, there are two lions' carved lacquer squares, with white jade seals and silk enamel ink boxes. Several right-handed figures are red lacquer-shaped cylindrical boxes with four enamel enamel pens and paperweights, and the red lacquer enamel box at the bottom right, and the stone lining of the Songhua River. The bottom of each piece of carved lacquer box is connected with the lacquer lacquer. The design is novel, the carving is fine, the exquisite workmanship is small, and it is convenient for carrying. When the emperor travels, it has both practical value and high art appreciation value.
The above-mentioned articles are all works of art collected by Chinese scholars.
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