Painting and calligraphy investment optional half-warehouse strategy

Yachang Art Market Monitoring Center released the "2011 Spring Chinese Art Auction Market Survey Report."

The report pointed out that in the Chinese art auction market, 219 auction companies achieved a total turnover of 42.842 billion yuan, the total turnover increased by 15.13% compared with the previous period, the total turnover of the spring of 2010 increased by 112.71%. In this season's auction, there were 15 works that exceeded the 100 million mark. The number of shots of Chinese calligraphy and painting was 146,167, a decrease of 3,888 from the previous quarter.

Although the number of shots and volume decreased, due to the overall price increase in the art market, the total turnover reached 25.728 billion yuan, accounting for 60.05% of the total sales of Chinese art in the quarter, which was 59.01% of the previous quarter. Market share increased by 1.04%.

In the top TOP 100 list of Chinese art auctions, Chinese painting and calligraphy still surpassed other art categories with an overwhelming advantage, occupying 69 seats. The Chinese art market continues to maintain the pattern of Chinese painting and calligraphy.

Strategy 1: Sell half of the collection and keep it half. "Some people think that buying goods after a boom will be worthwhile, but what if the market does not fall?" The painting and calligraphy expert Chen Junming believes that if they completely "look idly by," collectors may be out of the market and even chase again. If you buy a "busy position," and if the market really has any signs of trouble, collectors may be caught off guard. Guangzhou Yi Pai Xiang Xiang believes that the best way is to "half-warehouse strategy." First, the selling price is already high, leaving the price has not yet risen; the second selling big masters of the general works, leaving quality; three to sell the same The artist's general theme works, leaving special topics; fourth is to sell specifications of ordinary works, leaving special specifications.

Strategy II: Long-term investment products configuration long-term collections Chen Junming believes that if the current "into the goods," we must choose works with higher gold content, not excessive "chasing", the standard is that the high price of such art is a long-term stable operation Made, or was suddenly pulled up. He suggested that Lingnan painting and calligraphy collectors can focus on the works of Gao Jianfu, Su Renshan, and the Chinese Painting Research Society, whose prices are still very low.

However, Chen Junming also believes that short-term collectibles should be combined with long-term collectibles: “Good works are stored for a long time; 'trendy goods' can be fast-forward and fast-out.” As for the ratio of “configuration” of the two collectibles It depends on the collector’s amount of money and risk tolerance.

In addition, some collectors questioned the difficulty of realizing the problem: "Only the auction items can make high prices, and my hands are difficult to withdraw from the same price." Xiang Xiang suggested that the auction price has commission costs, and the general price is higher, in non- When trading in the auction market, the psychological price is preferably about 80% of the auction price.

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