Fascinating cloisonne traditional craftsmanship

Cloisonne has been widely loved by people because of its numerous manufacturing techniques. Cloisonne is also known as the copper tire enamel, and its production process is very complex. It is roughly divided into seven steps: making tires, reeling, welding, dispensing, burning blue, polishing and gold plating. Cloisonne can be said to be a bright pearl in the history of Chinese arts and crafts.

The cross-Strait youth exchange theme gathering event with the theme of “cross-strait concentricity and cross-strait counterparts” was held at the Great Hall of the People in Beijing. At 3 o'clock, some of the cross-strait youths came to the East Hall of the Great Hall of the People to visit the exhibition and experience of the excellent Chinese traditional culture.

Yao Boxun, who often sees the relevant documentary of the cloisonne, said that he can see cloisonne, a handicraft with Chinese traditional culture, very happy. Yao Boxun told everyone that he must not only strengthen theoretical research in the professional field, but also learn some techniques for saving valuable handicrafts and master these basic techniques for getting started so that he can communicate well with craftsmen in his future work. Truly craft aesthetics to be "practical, rigorous, not bad" three standards, will carry forward the craft aesthetics.

“This Taiwanese student has a very good understanding of cloisonne, from the craftsmanship to the aesthetics of craftsmanship, and it is said to be very thorough.” The intangible cultural heritage in Beijing, Mr. Zhong Liansheng, and Yao Boxun won praise after the exchange. "If you later engage in design, I hope to have the opportunity to cooperate with you." Subsequently, Mr. Zhong Liansheng introduced to everyone the cloisonne handicrafts such as "Again More Than Ever" and "Dream".

Talking about the harvest of this trip, Yao Boxun said: “The successive opening up of various policies across the Taiwan Strait is conducive to cross-strait cultural and various fields of exchange and development. I will often come to the mainland in the future to concentrate on restoration of ancient buildings and participate in relevant historical and cultural heritage. The activities will see each other, understand each other, and seek common ground while reserving differences, which will help both the history and culture of the two sides of the Taiwan Strait and architectural culture."

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