Point of view: Art can't be collected by ears

Some time ago, the author encountered a "calling master of the world". The masters are not only small, but also comrades and consultants from more than 10 international associations, and they also have a group photo with the leader of the president. However, when you look at the work, you have a great deal of arrogance and bizarreness. However, my friend told me that the market for this masterpiece is very good. Many entrepreneurs are eager to collect and it is not a problem to enter millions.

This is where the "master of art" is clearly the "huge master"! Horizontal odor, love show, love inscription, love donation, blowing leather, deep, occasionally raise prices, bursting news ... but you do not complain, this is the "art rivers."

This “restructuring” is also very useful for large collections. Because many people engage in collections more by ear, not by eyes. Their own art appreciation ability is low, and even the “literate” in the art field. The value of judging a work is nothing more than the two criteria of name and price.

In the high-end auctions, there are also many works of art in general, because the author's name is loud or the fabricated story is bizarre and inexplicably sought after, eventually causing the artistic value and the auction price to hang upside down. This means that many art collectors who spend large sums of money are likely to be just a bunch of high-priced trash.

This is not alarmist. In the seventies and eighties of the last century, the Japanese who took advantage of the rich collected paintings from the Impressionists all over the world, regardless of whether they were good or bad, and they paid the bills, quickly increasing the auction prices of the Impressionist paintings. However, with the collapse of the Japanese stock market in the 1990s, the bubble also burst instantly. For example, Van Gogh's famous painting "Sunflower" was purchased by the Japanese for 5 billion U.S. dollars. It is now worth up to 1.4 billion U.S. dollars. The devaluation of masterpieces is still the case.

How is the capital madness that Japan staged more than 20 years ago and today's China?

The art capital market is very popular. Only the astute artistic appreciation is the “Dinghai pin”. Appreciation is the first threshold for entry into the collection of art. Many people collect “tuition fees” for the sake of practicing this vision. "Kam" is to identify authenticity, "reward" is to set its high profile, not through a period of hard academic knowledge can not be obtained. Many big collectors in history have truly integrated their collections into their lives and even their lives. They can despise their appreciation of a painting, and they can also go bankrupt to collect a rare piece of treasure and even save lives to protect their loved ones. In the Ming Dynasty, Zou Zhilin said that Wu Heqing, the collector of Fuchun Mountain Map (which he burned the painting into two parts), “is not the best thing to send, but straight to life”, and the collector's appreciation is so raised. from. In the art market, appreciating power also means "the time it takes to get out of hand" investment. Because only by truly knowing the cultural and historical values ​​of a certain work can we find a reasonable price point.

However, for those speculators who are eager to make profits, this kind of slow training is simply a fantasy. Faced with increasingly severe inflationary pressures, no one can calm down. Regardless of whether you have a lot of money or a little money, your home baby is still an insurance against inflation. The “collection of people’s collecting fever” that is now raging is essentially a speculative capitalist mobilization. Among them are those rich people who have moved to the art market due to the darkness of the property market. There are ordinary people who fear the devaluation of the currency and fantasise about fortune. Most of them are ignorant of art and even know nothing about it. To use art as garlic or gold to fry it is not a collection at all.

The collection is a long-term investment, not even asking for monetary returns. It is only for emotional satisfaction, but speculation only cares about profit, and frequently buys and sells, and keeps **. The short-term profit motive, coupled with low speculators' appetite, blindly chasing after the title, confuses the market and allows speculators, counterfeiters, and prostitutes to take advantage of it, further increasing investment risk. Once these “guerrilla” capitals “go back”, the speculators’ hand-to-hand work on these varied artifacts is truly a dying fish on the beach.

The so-called “Golden Age Collection of Troublesome Gold” is a good omen for cultural rejuvenation and economic activity. However, it is worthy of vigilance to disguise the collection as speculation. Because it is essentially a capitalist panic that spreads across the country, it both blows up the capital bubble and raises the virtual fire. However, we still expect that in this capital revelation, we can precipitate a group of collectors who are truly “not sentimental and straightforward”. This is the long-term wealth of China's collectors and the art market.

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