What did the Portuguese designers do to make jewelry “gone up” in the air?

Portuguese designer Fernando Brízio designed an "invisible" jewelry display space. Some local designers' jewellery designs are displayed on a platform composed of 251 slender nylon ropes. The original space allows designers to hide fixed screws. These lines look like they are drilled directly from the wall. When you touch it, the top jewels will shake gently, but they will not fall.

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

“When natural light enters the room, the lines disappear under a white background and the top display looks like it floats,” explains Brízio. The exhibition was exhibited at the sociedad nacional de belas artes in Lisbon, capital of Portugal, and was designed by Fernando Brízio for the tenth anniversary exhibition of the Portuguese Contemporary Jewellery Association.

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

The reference to Portuguese design is really a very unpopular concept. According to the Wall Street Journal, in the European industry, except for Fernando Brízio, there is almost no name for a Portuguese designer. Brízio once explained that Portugal was closed for some time and that the design industry of the entire country under the Salazar regime was completely isolated from the rest of Europe. In 1991, when he began to study design, people wanted to work for public organizations rather than industries. The designer may expect a career as a reception counter. The "design" understood by Other parts of Europe is still very new here.

"Ten years ago in Portugal, we didn't have anything about design." In an interview with design magazine ICON in 2008, Brízio said that his teachers are sculptors and architects, and they never forget about functionality. "They only talk about technical issues, This can be done, that can't be done. I think design is related to people, not to machines. They only talk about machines."

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Fernando Brízio

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Painting a Fresco with Giotto

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

HB pencil separator

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Journey china

Looking at Brízio's work, there are always some humorous accidents that make you shine. Painting a Fresco with Giotto series, crayons in the porcelain, clothes, 'seepage' rainbow-colored ink has caused people's short-term attention.

Placing furniture is a very painful process. Brízio's HB pencil spacers seem to allow you to leave a pencil mark on the wall while moving the partition. This is a reminder of your decision making process.

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Sound system

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

Table clothes

In the Sound system series, he made himself say "lamp" and "jar" sound waves into table lamps and jars. “Usually started a project. We use pencils to draw drafts. In the Sound system, I use the language. These items come from your body.” Brízio said.

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

The High Sign, 1920

Let the jewelry "gone" in the air. How did this Portuguese designer do it?

This uniquely shaped stool was inspired by Buster Keaton's 1920 film The High Sign. The actor drew a hook on the wall and hung his hat on it. "When I saw it, I felt 'WOW!', and then I started thinking about the relationship between design and painting, the relationship between people and painting. I started writing some conceptual words about what we live in," said Brízio. " I don't like writing. It's not my medium. But I like to think. When I'm writing, the process of choosing words can help me think.”

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