Fidelity pressure from the industry's questioning reporters survey found that, despite many questions, small-scale fidelity auctions continued. The relatives of the painter are positive about the auction house’s practice of sending the work to himself and his relatives before they are photographed. He believes that as long as preparations are made in advance and seeking truth from facts, some human-made false traps can be circumvented.

Industry insider Peng said that since he put forward the concept of fidelity auction the previous year, he has also seen various comments and viewpoints on the Internet. However, the real pressure is not exactly the true or false of things themselves, but some of the industry’s connoisseurs and collectors have Questioned.

On the whole, there are many auction houses in the local market in Guangdong, but the quality is not much. Compared with the northern markets, they are relatively deserted. Coupled with too many fake shootings and fake shootings in previous years, some participants lacked confidence. “Whoever holds the finest people who do not want to sell high prices? Then they went to Beijing, Hong Kong and other places to shoot.” For those new buyers entering the market, fidelity promises can give them some confidence. Some industry insiders have analyzed this way.

However, the reporter observed that in the entire art market, the promise of fidelity is still very small, and only some of the resource-type categories such as Kistler and Jade are relatively common. "As far as this type of thing is concerned, there are relevant testing organizations in the country, and at least a certificate can be issued to ensure that this material is true, but as for how much money is worth, then nobody can tell."

Operating organization: Try to ask the artist's relatives to identify the art fidelity, the difficulty is self-evident. Just like the "Kung-Tsang" incident, people said that they could not distinguish between true and false.

“There was a work of Li Xiongcai on the fidelity auction at the previous year because there were no payees. At that time, some experts had no idea what to do. We removed it from the special game. When we previewed it, some people disagreed with this work, but After the filming, there are still experts who bought it.” Mr. Peng believes that for any controversial work, the auction house needs to measure and appraise it from various aspects such as style, paper quality, and source. When the buyer raises an objection, he goes to find relative authoritative persons, such as the author's family, descendants, and students. “Last year, there was also a work of Guan Shanyue that found her family members. At first glance, they remembered the process of creation at the time and decided it was authentic. Another work by Chen Dayu, we also got Chen Dayu’s studio. A certificate of appraisal was issued, so that the auction house as an intermediary bears less pressure and risks."

At the end of September last year, the article “Anti-Counterfeiting Painters' Relatives Fighting for Counterfeiting” of this newspaper once disclosed the phenomenon that when a local local small and medium-sized auction house previewed the works of Lingnan painter Zhou Bo, the relatives of the painter pointed to false goods, and the auction house was finally forced by the pressure on the lot. Make withdrawals.

"At the first auction, we were fortunate enough to collect oil paintings from a group of famous domestic artists and got them from the same collector. We were also very cautious. We tried to get in touch with the painter myself in various ways and sent pictures of the works to be appraised." Ms. Chen, the general manager of an auction house, also agrees with this check.

She also passed Guan Shanyue's lot to Guan Shanyue's daughter for identification, but the result was fake. "I was very sad at the time, but I still didn't shoot it," said Ms. Chen. She admits that nearly all paintings and paintings have found the painters and their families' appraisals, but one of them did not find painter Huo Chunyang because the collectors were friends she had known for many years and the works were purchased in the Shantou Exhibition in 1996. It also appeared in auctions in other places.

After several confirmations, the work was successfully executed after the film was shot, and the artist confirmed to him that it was indeed his own work. "My standard is that people who buy are happy to sell. Second, people who buy will be sent later. I can still collect and things can be recirculated."

The reporter learned that more and more art operations organizations are currently trying to cooperate with the artist himself to identify and certify works that have been circulated early.

Auctioneer: Need to work on the selection of works The art market commentator Jin Ge believes that although some people are skeptical of certain high-priced transactions, the industry still uses the auction as a platform for exhibitions, focusing on the quality and price of the works on the auction. “The painter himself or his immediate family members are willing to come forward and they should be regarded as one of the favorable factors, but some artists are unwilling to come forward and may feel that they will offend one of the parties on the market. There are not enough auction homework, and the fake products have become an escape. The artist told me that the number of counterfeit products in the market that circulated his own name was 10 times that of authentic products, which was a great harm to all participants in the market."

He said that corporate collections are very popular nowadays, and some entrepreneurs have been bought by some unscrupulous clients. “So the correct market guidance and grooming are very important, and the auction house also needs to work hard on the selection process. It should try to choose those artists who have academic value and who are dedicated to the arts and reject those who are social activists and speculators.”